Christ the Redeemer

Christ the Redeemer~One Of The New 7 Wonders Of The WorldChrist the Redeemer (in Portuguese: Cristo Redentor "), is a statue of Jesus Christ in Rio de Janeiro, Brazil. The statue is 39.6 metres (130 feet) high, weighs 700 tons and is located at the height of the 700 - m (2296 feet) Corcovado mountain in the Tijuca Forest National Park with a view of the city.
A symbol of Christianity, the statue has become an icon of Rio and Brazil.

History
The idea for erecting a large statue atop Corcovado had been around since the mid 1850s, when Catholic priest Pedro Maria Boss requested financing from Princess Isabel to build a large religious monument. Princess Isabel did not think much of the idea, which was completely dismissed in 1889, when Brazil became a Republic, with laws mandating the separation of church and state.

The second proposal for a large landmark statue on the mountain was made in 1921 by the Archdiocese of Rio de Janeiro. The archdiocese organized an event called Semana do Monumento ("Monument Week") to attract donations. The donations came mostly from Brazilian Catholics. The designs considered for the "Statue of the Christ" included a representation of the Christian cross, a statue of Jesus with a globe in his hands, and a pedestal symbolizing the world. The statue of Christ the Redeemer with open arms was chosen.

Local engineer Heitor da Silva Costa designed the statue, it was sculptures by Paul Landowski, French sculptor monument of Polish origin. A group of engineers and technicians examined the submissions Landowski, and the decision was made to the structure of reinforced concrete (designed by Albert Caquot) instead of steel, more suited for the cross-shaped statue. The outer layers are soapstone, chosen for the lasting quality and user-friendliness. Stone for the monument was Limhamn in Malmo, Sweden. Construction took five years - from 1926 to 1931 and the monument was on 12 October 1931. The cost of the monument was 250,000 dollars.

In October 2006, on the statue's 75th anniversary, Archbishop of Rio Cardinal Eusebio Oscar Scheid consecrated a chapel (named for the patron saint of Brazil - Nossa Senhora Aparecida) under the statue. This allows Catholics to hold baptisms and weddings there.

As of 7 July 2007, Christ the Redeemer was named one of the New Seven Wonders of the World in a list compiled by the Swiss-based The New Open World Corporation.

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Chichen Itza

Chichen Itza~One Of The New 7 Wonders Of The WorldChichen Itza (IPA pronunciation: [ˈtʃi.tʃɛn.ˈit.sɑ]) (from Yucatec Maya chich'en itza', "At the mouth of the well of the Itza") is a large pre-Columbian archaeological site built by the Maya civilization located in the northern center of the Yucatán Peninsula, present-day Mexico.

Chichen Itza was one of the main regional center in the northern Maya lowlands from the Late Classic through the terminal and into the early part of the Early Post Classic. The website provides a variety of architectural styles, from what is called "Mexicanized" and reminiscent of styles seen in central Mexico in the Puuc style found among the Puuc Maya of the northern lowlands. The presence of the central Mexican styles was once thought to have representatives of the direct migration, or even conquest of central Mexico, but most contemporary interpretations of the presence of these non-Maya styles more than the result of cultural diffusion.

Archaeological data such as evidence of at Burning number of important, complex structures and architectural book, that's collapse Chichen Itza was strict. Following the decline of Chichen Itza's hegemony, regional power, in Yucatán shifted to a center at Mayapan.

According to the American Anthropological Association, the actual ruins of Chich'en Itza are federal property, and the site’s stewardship is maintained by Mexico’s National Institute of Anthropology and History (Instituto Nacional de Antropología e Historia, INAH). The land under the monuments, however, is privately-owned by the Barbachano family.


Name and orthography
The Maya name "Chich'en Itza" means "At the mouth of the well of the Itza ". Although this was the usual name for the site in pre-Columbian times, it is also referred to in the ancient chronicles as Uucyabnal, meaning "Seven Great Rulers".

The name is often represented as Chichén Itzá in Spanish and other languages to show that both parts of the name are stressed on their final syllables. In the Yucatec Maya language (still in use in the area, and written with the Roman alphabet since the 16th century) this stress follows the normal rules of the language, and so it is written without diacritics. Both forms are attested in literature on the subject, including in scholarly works. Other references prefer to employ a more rigorous orthography, using Chich'en Itza. This form preserves the phonemeic distinction between [ ch' ] and [ ch ], since the base word ch'en meaning "well (of water)" begins with a glottalized affricate ( in IPA notation, [tʃʼ]) and not a voiceless (non-glottalized) one ([tʃ]).


History of Chich'en Itza
As the northern Yucatán has no above-ground rivers, the fact that three natural sink holes (cenotes) providing plentiful water year round at Chichen made it attractive for settlement. Two of these cenotes still exist today; the "Cenote of Sacrifice" is the more famous of the two, and it was sacred to worshipers of the Maya rain god Chaac. Various objects and materials, such as jade, ceramics and incense were in the cenote "as a sacrifice to Chaac. It is argued by some (mainly guides), which occasionally, especially during periods of intense drought, the human victims were in the fountain. Diplomat Edward Herbert Thompson dredged the Sacred Cenote in 1904, claiming to have uncovered human remains and sacrificial artifacts. There is, however, no confirmation of this, and archaeological dredging of the cenote does not support these assertions.

Ascension :
Chichen Itza rose to regional prominence towards the end of the Early Classic period (or, roughly 600 AD). It was, however, towards the end of the Late Classic and into the early part of the Terminal Classic that the site became a major regional capitol, centralizing and dominating political, sociocultural, economic, and ideological life in the northern Maya lowlands. The ascension of Chichen Itza roughly correlates with the decline and fragmentation of the major centers of the southern Maya lowlands, such as Tikal.

Some ethnohistoric sources claim that in about 987 a Toltec king named Quetzalcoatl arrived here with an army from central Mexico, and (with local Maya allies) made Chichen Itza his capital, and a second Tula. The art and architecture from this period shows an interesting mix of Maya and Toltec styles. However, the recent re-dating of Chichen Itza's decline indicates that Chichen Itza is largely a Late/Terminal Classic site, while Tula remains an Early Postclassic site (thus reversing the direction of possible influence).

Political organization :
Unlike previous Maya polities of the Early Classic, Chichen Itza was not governed by an individual ruler or a single dynastic lineage. Instead, according to Sharer and Traxler (2006:581), the city’s political organization was structured by a "multepal" system, which is characterized as rulership through council. The council was comprised of members of elite ruling lineages.

Economy :
Chichen Itza was an important economic power in the northern Plains during the Maya its peak. Participating in water-borne circumstances peninsula trade route through the port site of the Islamic Cerritos, Chichen Itza was locally available resources from remote areas like central Mexico (obsidian) and in the southern Central America (Gold).

Decline of Chichen Itza :
The Maya chronicles record that in 1221 a revolt and civil war broke out, and archeological evidence seemed to confirm that the wooden roofs of the great market and the Temple of the Warriors were burned at about this date. Chichen Itza went into decline as rulership over Yucatán shifted to Mayapan.

This long-held chronology, however, has been drastically revised in recent years. As archaeologists improve their knowledge of changes in regional ceramics, and more radiocarbon dates arise out of ongoing work at Chichen Itza, the end of this Maya capital is now being pushed back over 200 years. Archaeological data now indicates that Chichen Itza fell by around AD 1000. This leaves an enigmatic gap between the fall of Chichen Itza and its successor, Mayapan. Ongoing research at the site of Mayapan may help resolve this chronological conundrum.

While the site itself was never completely abandoned, the population declined and no major new constructions were asked about their political collapse. The Sacred Cenote, remained a place of pilgrimage.

In 1531 Spanish Conquistador Francisco de Montejo claimed Chichén Itzá and intended to make it the capital of Spanish Yucatán, but after a few months a native Maya revolt drove Montejo and his forces from the land.

The site
The site contains many fine stone buildings in various states of preservation; the buildings were formerly used as temples, palaces, stages, markets, baths, and ballcourts.

El Castillo :
Dominating the center of Chichén is the Temple of Kukulcan (the Maya name for Quetzalcoatl), often referred to as "El Castillo" (the castle). This step pyramid with a ground plan of square terraces with stairways up each of the 4 sides to the temple on top. On the Spring and Fall equinox, at the rising and setting of the sun, the corner of the structure casts a shadow in the shape of a plumed serpent - Kukulcan, or Quetzalcoatl - along the side of the North staircase. On these two days, the shadows from the corner tiers slither down the northern side of the pyramid with the sun's movement.

Mesoamerican cultures periodically built larger pyramids atop older ones, and this is one such example. In the mid 1930s, the Mexican government sponsored an excavation into El Castillo. After several false starts, they discovered a staircase under the north side of the pyramid. By digging from the top, they found another temple buried below the current one. Inside the temple chamber was a Chac Mool statue and a throne in the shape of jaguar, painted red with spots made of inlaid jade.

The Mexican government excavated a tunnel from the base of the north staircase, up the earlier pyramid’s stairway to the hidden temple, and opened it to tourists. In 2006, INAH closed the throne room to the public.

Temple of the Warriors :
The Temple of the Warriors complex consists of a large stepped pyramid fronted and flanked by rows of carved columns depicting warriors. This complex is analogous to Temple B at the Toltec capital of Tula, and indicates some form of cultural contact between the two regions. The one at Chichen Itza, however, was constructed on a larger scale. At the top of the stairway on the pyramid’s summit (and leading towards the entrance of the pyramid’s temple) is a Chac Mool.

Near the Warriors is a large plaza surrounded by pillars called "The Great Market."

Ballcourt :
Seven courts for playing the Mesoamerican ballgame have been found in Chichén, but the one about 150 meters to the north-west of the Castillo is by far the most impressive. It is the largest ballcourt in ancient Mesoamerica. It measures 166 by 68 meters (545 by 232 feet). The sides of the interior of the ballcourt are lined with sculpted panels depicting teams of ball players, with the captain of the losing team being decapitated.

Built into one of the exterior walls of the ballcourt is the Temple of the Jaguar, which features another jaguar throne -- since this one was not buried for a thousand years, its red paint and jade spots are long since gone.

Behind this platform is a walled inscription which depicts a tzompantli (rack of impaled human skulls) in relief.

High Priest's Temple :
This step-pyramid temple is a smaller version of El Castillo; the name comes from an elite burial discovered by early excavator E. H. Thompson.

Las Monjas :
One of the more notable structures at Chichen Itza is a complex of Terminal Classic buildings constructed in the Puuc architectural style. The Spanish nicknamed this complex Las Monjas ("The Nuns" or "The Nunnery") but was actually a governmental palace. Just to the east is a small temple (nicknamed La Iglesia, "The Church") decorated with elaborate masks of the rain god Chaac.

A number of other structures are near the "Monjas" complex. These include:

* "Akab' Dzib" (Maya for dark or obscure writing), a palace with hieroglyphic inscriptions
* "The Red House"
* "The House of the Deer"

El Caracol :
To the north of Las Monjas is a round building on a large square platform nicknamed El Caracol or "the snail" for the stone spiral staircase inside. This structure was an observatory with its doors aligned to view the vernal equinox, the Moon's greatest northern and southern declinations, and other astronomical events sacred to Kukulcan, the feathered-serpent god of the wind and learning. The Maya used the shadows inside the room cast from the angle of the sun hitting the doorway to tell when the solstices would occur. Placed around the edge of El Caracol are large rock cups that they filled with water and would watch the reflection of the stars in the water to help determine their complex, but extremely accurate calendar system.

Old Chichen :
"Old Chichen" is the nickname for a group of structures to the south of the central site. It includes the Initial Series Group, the Phallic Temple, the Platform of the Great Turtle, the Temple of the Owls, and the Temple of the Monkeys.

Other structures :
Chichen Itza also has a variety of other structures densely packed in the ceremonial center of about 5 km² (2 mile²) and several outlying subsidiary sites.


Archaeological investigations
Chichén Itzá entered the popular imagination in 1843 with the book Incidents of Travel in Yucatan by John Lloyd Stephens (with illustrations by Frederick Catherwood). The book recounted Stephens’ visit to Yucatan and his tour of Maya cities, including Chichén Itzá. The book prompted other explorations of the city. In 1860, Desire Charnay surveyed Chichén Itzá and took numerous photographs that he published in Cités et ruines américaines (1863).

In 1875, Augustus Le Plongeon and his wife Alice Dixon Le Plongeon visited Chichén, and excavated a statue of a figure on its back, knees drawn up, upper torso raised on its elbows with a plate on its stomach. Augustus Le Plongeon called it “Chaacmol” (later renamed “Chac Mool”, which has been the term to describe all types of this statuary found in Mesoamerica). Teobert Maler and Alfred Maudslay explored Chichén in the 1880s and both spent several weeks at the site and took extensive photographs. Maudslay published the first long form description of Chichén Itzá in his book, Biologia Centrali-Americana.

In 1894 the United States Consul to Yucatán, Edward H. Thompson purchased the Hacienda Chichen, which included the ruins of Chichen Itzá. For 30 years, Thompson explored the ancient city. His discoveries included the earliest dated carving upon a lintel in the Temple of the Initial Series and the excavation of several graves in the Ossario (High Priest’s Temple). Thompson is most famous for dredging the Cenote Sagrado (Sacred Cenote) from 1904 to 1910, where he recovered artifacts of gold, copper and carved jade, as well as the first-ever examples of what were believed to be pre-Columbian Maya cloth and wooden weapons. Thompson shipped the bulk of the artifacts to the Peabody Museum at Harvard University.

In 1913, archaeologist Sylvanus G. Morley persuaded the Carnegie Institution to fund an extensive archaeological project at Chichén Itzá, which included mapping the ruins and restoring several of the monuments. The Mexican Revolution and the following government instability prevented the Carnegie from beginning work until 1924. Over the course of 10 years, the Carnegie researchers excavated and restored the Temple of Warriors and the Caracol. At the same time, the Mexican government excavated and restored El Castillo and the Great Ball Court.

In 1926, the Mexican government charged Edward Thompson with theft, claiming he stole the artifacts from the Cenote Sagrado and smuggled them out of the country. The government seized the Hacienda Chichén. Thompson, who was in the United States at the time, never returned to Yucatan. He wrote about his research and investigations of the Maya culture in a book People of the Serpent published in 1932. He died in New Jersey in 1935. In 1944 the Mexican Supreme Court ruled that Thompson had broken no laws and returned Chichén Itzá to his heirs. The Thompsons sold the hacienda to tourism pioneer Fernando Barbachano Peon, and his heirs own the property today.

There have been two later expeditions to recover artifacts from the Cenote Sagrado, in 1961 and 1967. The first was sponsored by the National Geographic, and the second by private interests. Both projects were supervised by Mexico's National Institute of Anthropology and History (INAH). INAH has conducted an ongoing effort to excavate and restore other monuments in the archaeological zone, including the Ossario, Akab D’zib, and several buildings in Chichén Viejo (Old Chichen).

Tourism
Tourism has been a factor at Chichen Itza for more than a century. John Lloyd Stephens, who popularized the Maya Yucatan in the public’s imagination with his book Incidents of Travel in Yucatan, inspired many to make a pilgrimage to Chichén Itzá. Even before the book was published, Benjamin Norman and Baron Emmanuel de Friederichsthal traveled to Chichen after meeting Stephens, and both published the results of what they found.

By Edward Thompson, 1894 purchased Hacienda Chichen, including Chichen Itza, he received a constant stream of visitors. In 1910 he announced his intention to build a hotel on its property, but abandoned those plans, probably because of the Mexican Revolution.

In the early 1920s, a group of Yucatecans, lead by writer/photographer Francisco Gomez Rul, began working toward expanding tourism to Yucatan. They urged Governor Felipe Carrillo Puerto to build roads to the more famous monuments, including Chichen Itza. In 1923, Governor Carrillo Puerto officially opened the highway to Chichen Itza. Gomez Rul published one of the first guidebooks to Yucatan and the ruins.

Gomez Rul’s son-in-law, Fernando Barbachano Peon (a grandnephew of former Yucatan Governor Miguel Barbachano), started Yucatan’s first official tourism business in the early 1920s. He began by meeting passengers that arrived by steamship to Progreso, the port north of Merida, and persuading them to spend a week in Yucatan, after which they would catch the next steamship to their next destination. In his first year Barbachano Peon reportedly was only able to convince seven passengers to leave the ship and join him on a tour. In the mid-1920s Barbachano Peon persuaded Edward Thompson to sell five acres of property next to Chichen for a hotel. In 1927, the Mayaland Hotel opened, just north of the Hacienda Chichén, which had been taken over by the Carnegie Institution.

In 1944, Barbachano Peon purchased all of the Hacienda Chichén, including Chichen Itza, from the heirs of Edward Thompson. Around that same time the Carnegie completed its work at Chichen Itza and abandoned the Hacienda Chichén, which Barbachano turned into another seasonal hotel.

In 1977, ownership of the monuments in Chichen Itza was for the federal government. There were now hundreds, if not thousands of visitors each year to Chichen Itza, and more were associated with the development of Cancun Resort area in the east.

In the 1980s, Chichen Itza began to receive an influx of visitors on the day of the spring commencement. Today several thousand show to see the light and shadow effects on the Temple of Kukulcan, in the feathered serpent god supposedly can crawl to the side of the pyramid.

Chichen Itza is today a World Heritage Site and is the second most visited of Mexico’s archaeological sites. Many visitors to the popular tourist resort of Cancún make a day trip to Chichen Itza, usually with time to view only a portion of the site.

Over the past several years, INAH, which manages the site, has been closing monuments to public access. The most recent was El Castillo, which was closed after the death of a San Diego woman in 2006.

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Chichen Itza ancient mayan citie, most advanced construction on mayan world , mayans and astronomy and mathematics

Taj Mahal

Taj Mahal~One Of The New 7 Wonders Of The WorldThe Taj Mahal (Devanagari: ताज महल, Nastaliq: تاج محل) is a mausoleum located in Agra, India. The Mughal Emperor Shah Jahan commissioned it as a mausoleum for his favorite wife, Mumtaz Mahal. Construction began in 1632 and was completed in approximately 1648. Some dispute surrounds the question of who designed the Taj Mahal; it is clear a team of designers and craftsmen were responsible for the design, with Ustad Ahmad Lahauri considered the most likely candidate as the principal designer.

The Taj Mahal (sometimes referred to as the "Taj") is generally considered to be the best example of Mughal architecture, a style that combines elements of Persian, Turkish, Indian and Islamic architectural styles. While the arched white marble mausoleum is the most famous part of the monument, the Taj Mahal is actually an integrated complex of structures. In 1983 the Taj World Heritage list of UNESCO and was called a "jewel of Muslim art in India and one of the world admired masterpieces of the world's heritage."

Origin and inspiration

In 1631 Shah Jahan, emperor during the Mughal's period of greatest prosperity, was griefstricken when his third wife, Mumtaz Mahal, died during the birth of their daughter Gauhara Begum, their fourteenth child. Contemporary court chronicles concerning Shah Jahan's grief form the basis of the love story traditionally held as the inspiration for the Taj Mahal.

Construction of the Taj Mahal was begun soon after Mumtaz's death. The principal mausoleum was completed in 1648, and the surrounding buildings and garden were finished five years later. Visiting Agra in 1663, the French traveller François Bernier wrote the following:

I shall finish this letter with a description of the two wonderful mausoleums which constitute the chief superiority of Agra over Delhi. One was erected by Jehan-guyre [sic] in honor of his father Ekbar; and Chah-Jehan raised the other to the memory of his wife Tage Mehale, that extraordinary and celebrated beauty, of whom her husband was so enamoured it is said that he was constant to her during life, and at her death was so affected as nearly to follow her to the grave.

Influences

The Taj Mahal incorporates and expands on many design traditions, particularly Persian and earlier Mughal architecture. Specific inspiration came from a number of successful Timurid and Mughal buildings. These include the Gur-e Amir (the tomb of Timur, progenitor of the Mughal dynasty, in Samarkand), Humayun's Tomb, Itmad-Ud-Daulah's Tomb (sometimes called the Baby Taj), and Shah Jahan's own Jama Masjid in Delhi. Under his patronage, Mughal building reached new levels of refinement. While previous Mughal building had primarily been constructed of red sandstone, Shah Jahan promoted the use of white marble inlaid with semi-precious stones.

The garden
The complex is set in and around a large charbagh (a formal Mughal garden divided into four parts). Measuring 300 meters × 300 meters, the garden uses raised pathways which divide each quarter of the garden into 16 sunken parterres or flowerbeds. A raised marble water tank at the center of the garden, halfway between the tomb and the gateway, and a linear reflecting pool on the North-South axis reflect the Taj Mahal. Elsewhere the garden is laid out with avenues of trees and fountains.

The charbagh garden is meant to symbolize the four flowing Rivers of Paradise. The raised marble water tank is called al Hawd al-Kawthar, literally meaning and named after the "Tank of Abundance" promised to Muhammad.

The charbagh garden was introduced to India by the first Mughal emperor Babur, a design inspired by Persian gardens. The charbagh is meant to reflect the gardens of Paradise (from the Persian paridaeza — a walled garden). In mystic Islamic texts of the Mughal period, paradise is described as an ideal garden, filled with abundance. Water plays a key role in these descriptions: In Paradise, these text say, four rivers source at a central spring or mountain, and separate the garden into north, west, south and east.

Most Mughal charbaghs are rectangular in shape, with a burial or pavilion in the middle of the garden. The Taj Mahal garden is unusual that the most important element, the tomb is situated at the end rather than in the middle of the garden. But the existence of the newly discovered Mahtab Bagh or "Moonlight Garden" on the other side of the Yamuna offers a different interpretation - the Yamuna itself was in the garden design, and was seen as one of the rivers of Paradise.

The layout of the garden, and its architectural features such as its fountains, brick and marble walkways, and geometric brick-lined flowerbeds are similar to Shalimar's, and suggest that the garden may have been designed by the same engineer, Ali Mardan.

Early accounts of the garden describe its profusion of vegetation, including roses, daffodils, and fruit trees in abundance. As the Mughal Empire declined, the tending of the garden declined as well. When the British took over management of the Taj Mahal, they changed the landscaping to resemble the formal lawns of London.

Outlying buildings
The Taj Mahal complex is limited by a crenellated wall of red sandstone on three sides. The river-facing side is unwalled. Outside the wall are several additional mausoleums, including those of Shah Jahan many other women, and greater tomb for Mumtaz's favorite servant. These structures, which are primarily made of red sandstone, which are typical for smaller tombs of the Mughal era.

On the inner side (garden), the wall surface is through the columned hall arcades, a typical feature of Hindu temple later in Mughal mosques. The wall is permeated with domed kiosks (chattris), and small buildings were the ads or watchtowers, such as the so-called House Music, now as a museum.

The main gateway (darwaza) is a monumental structure built primarily of marble. The style is reminiscent of that of Mughal architecture of earlier emperors. Its archways mirror the shape of the tomb's archways, and its pishtaq arches incorporate the calligraphy that decorates the tomb. It utilises bas-relief and pietra dura (inlaid) decorations with floral motifs. The vaulted ceilings and walls have elaborate geometric designs, like those found in the other sandstone buildings of the complex.

At the far end of the complex, two grand red sandstone buildings open to the sides of the tomb. Their backs parallel the western and eastern walls.

The two buildings are precise mirror images of each other. The western building is a mosque; its opposite is the jawab (answer) whose primary purpose was architectural balance (and which may have been used as a guesthouse during Mughal times). The distinctions are that the jawab lacks a mihrab, a niche in a mosque's wall facing Mecca, and the floors of the jawab have a geometric design, while the mosque floor was laid out with the outlines of 569 prayer rugs in black marble.

The mosque's basic design is similar to others built by Shah Jahan, particularly to his Masjid-i-Jahan Numa, or Jama Masjid of Delhi — a long hall surmounted by three domes. Mughal mosques of this period divide the sanctuary hall into three areas: a main sanctuary with slightly smaller sanctuaries to either side. At the Taj Mahal, each sanctuary opens onto an enormous vaulting dome.

The outlying buildings were completed in 1643.

Construction

The Taj Mahal was built on a parcel of land to the south of the walled city of Agra which had belonged to Maharajah Jai Singh: Shah Jahan presented him with a large palace in the centre of Agra in exchange. Construction began with setting the foundations for the tomb. An area of roughly three acres was excavated and filled with dirt to reduce seepage from the river. The entire site was leveled to a fixed height about 50 meters above the riverbank. The Taj Mahal is 55 meters tall. The dome itself measures 18 meters in diameter and 24 meters high.

In the tomb area, wells were then dug to the point that water was encountered. These wells were later filled with stone and rubble, forming the basis for the footings of the tomb. [An additional well was built to same depth nearby to provide a visual method to track water level changes over time.]

Instead of lashed bamboo, the typical scaffolding method, workmen constructed a colossal brick scaffold that mirrored the inner and outer surfaces of the tomb. The scaffold was so enormous that foremen estimated it would take years to dismantle. According to legend, Shah Jahan decreed that anyone could keep bricks taken from the scaffold, and it was dismantled by peasants overnight.

A fifteen-kilometer tamped-earth ramp was built to transport marble and materials to the construction site. According to contemporary accounts teams of twenty or thirty oxen strained to pull the blocks on specially constructed wagons.

To raise the blocks into position required an elaborate post-and-beam pulley system. Teams of mules and oxen provided the lifting power.

The order of construction was

* The plinth
* The tomb
* The four minarets
* The mosque and jawab
* The gateway

The plinth and tomb took roughly 12 years to complete. The remaining parts of the complex took an additional 10 years. (Since the complex was built in stages, contemporary historical accounts list different "completion dates"; discrepancies between so-called completion dates are probably the result of differing opinions about the definition of "completion". For example, the mausoleum itself was essentially complete by 1643, but work continued on the rest of the complex.)

Water infrastructure

Water for the Taj Mahal was provided through a complex infrastructure. Water was drawn from the river by a series of purs -- an animal-powered rope and bucket mechanism. The water flowed into a large storage tank, where, by thirteen additional purs, it was raised to large distribution tank above the Taj Mahal ground level.

From this distribution tank, water passed into three subsidiary tanks, from which it was piped to the complex. A 0.25 meter earthenware pipe lies about 1.5 meters below the surface, in line with the main walkway; this filled the main pools of the complex. Additional copper pipes supplied the fountains in the north-south canal. Subsidiary channels were dug to irrigate the entire garden.

The fountain pipes were not connected directly to the feed pipes. Instead, a copper pot was provided under each fountain pipe: water filled the pots allowing equal pressure in each fountain.

The purs no longer remain, but the other parts of the infrastructure have survived.

Craftsmen

The Taj Mahal was not designed by a single person. The project demanded talent from many people.

The names of many of the builders who participated in the construction of the Taj Mahal in different capacities have come down through various sources.

* The Persian or Turkish architect, Ustad Isa and Isa Muhammad Effendi, trained by the Ottoman architect Koca Mimar Sinan Agha are frequently credited with a key role in the architectural design of the complex, but in fact there is little evidence to support this tradition.

* 'Puru' from Benarus, Persia (Iran), has been mentioned as a supervising architect in Persian language texts (e.g. see ISBN 964-7483-39-2).

* The main dome was designed by Ismail Khan from the Ottoman Empire,[18] considered to be the premier designer of hemispheres and builder of domes of that age.

* Qazim Khan, a native of Lahore, cast the solid gold finial that crowned the Turkish master's dome.

* Chiranjilal, a lapidary from Delhi, was chosen as the chief sculptor and mosaicist.

* Amanat Khan from Persian Shiraz, Iran was the chief calligrapher (this fact is attested on the Taj Mahal gateway itself, where his name has been inscribed at the end of the inscription).

* Muhammad Hanif was the supervisor of masons.

* Mir Abdul Karim and Mukkarimat Khan of Shiraz, Iran handled finances and the management of daily production.

The creative team included sculptors from Bukhara, calligraphers from Syria and Persia, inlayers from southern India, stonecutters from Baluchistan, a specialist in building turrets, another who carved only marble flowers — thirty-seven men in all formed the creative nucleus. To this core was added a labour force of twenty thousand workers recruited from across northern India.

Particularly during the British Raj, some commentators suggested that the Taj Mahal was the work of European artisans. As early as 1640, a Spanish friar who visited Agra wrote that Geronimo Veroneo, an Italian adventurer in Shah Jahan's court, was primarily responsible for the design. There is no reliable evidence to back up such assertions. E.B. Havell, the principal British scholar of Indian art in the later Raj, dismissed this theory as inconsistent with the methods employed by the designers. His conclusions were further supported by the research of Muhammad Abdullah Chaghtai, who concluded that some of these theories may have been based on the misapprehension that "Ustad Isa", so often credited with the Taj's design, must have been a Christian because he bore the name "Isa" (Jesus). In fact this is a common Muslim name as well. Furthermore there is no source earlier than the 19th century which mentions an "Ustad Isa" in connection with the Taj Mahal . Chaghtai thought it more likely that the chief architect was Ustad Ahmad, the designer of Shahjahanabad, but admitted that this could not be conclusively proved from existing sources.

Materials

The Taj Mahal was constructed using materials from all over India and Asia. Over 1,000 elephants were used to transport building materials during the construction. The translucent white marble was brought from Rajasthan, the jasper from Punjab, jade and crystal from China. The turquoise was from Tibet and the Lapis lazuli from Afghanistan, while the sapphire came from Sri Lanka and the carnelian from Arabia. In all, twenty eight types of precious and semi-precious stones were inlaid into the white marble.

Costs

Estimates of the cost of the construction of the Taj Mahal vary due to the difficulties of estimating construction costs across time. The total cost of the Taj Mahal's construction has been estimated to be about 32 million rupees. However, when considering the labor costs and the time period that it took, and the difference in economic eras, it is, to many, considered priceless.

History

Soon after the Taj Mahal's completion, Shah Jahan was deposed and put under house arrest at nearby Agra Fort by his son Aurangzeb. Legend has it that he spent the remainder of his days gazing through the window at the Taj Mahal. Upon Shah Jahan's death, Aurangzeb buried him in the Taj Mahal next to his wife, the only disruption of the otherwise perfect symmetry in the architecture. By the late 19th century parts of the Taj Mahal had fallen badly into disrepair. During the time of the Indian rebellion of 1857 the Taj Mahal faced defacement by British soldiers and government officials who chiseled out precious stones and lapis lazuli from its walls.

At the end of the 19th Century British viceroy Lord Curzon ordered a massive restoration project in the year 1908. He also has the great lamp in the interior chamber (modelled on a hanging in a mosque in Cairo, where local artisans not sufficient taste patterns). It was during this time, the garden was redesigned, with the British search lawns today.

Until 20 Century was the Taj Mahal, take better account. In 1942 the government built on a scaffolding in the expectation that an air attack by the German air force and later by the Japanese Air Force. During the India-Pakistan wars of 1965 and 1971 were scaffolding erected by the government to deceive would-be bomber pilots.

Its most recent threats came from environmental pollution on the banks of the Yamuna River including acid rain occurring due to the Mathura oil refinery (something opposed by Supreme Court of India directives).

In 1983 the Taj Mahal was designated a UNESCO World Heritage Site.

Tourism

Since its construction the Taj Mahal has attracted numerous visitors. Indeed the small town to the South of the Taj known as the Taj Ganji or Mumtazabad was originally constructed with purpose built caravanserais, bazaars and markets to serve the needs of visitors and workmen.

Today, the Taj Mahal attracts 2 to 3 million visitors every year of whom 200,000 come from overseas, making it the most popular tourist attraction in India. Most tourists visit during the cooler months of October, November and February. Polluting traffic is not allowed near the complex and tourist must either walk from the carparks or catch an electric bus. The Khawasspuras are currently being restored for use as a new visitors centre.

Lists of recommended travel destinations often feature the Taj Mahal, which also appears in several listings of seven wonders of the modern world -- including the recently announced New Seven Wonders of the World, a controversial poll which claimed to record a 100 million votes.

Some video from Metacafe about Taj Mahal :



Taj Mahal from Space


Taj Mahal, India
Taj Mahal segment from "The Intrepid Berkeley Explorer Passes Through India and Nepal". To enjoy all of this film, plus over 30 more free, non-commercial, streaming trav... More»el videos from every continent, plus still pictures, please click on the IntrepBerkExplorer link below, and then on the direct link to my geocities Video Page that follows; or ask a search engine for: Intrepid Berkeley Explorer.


Taj Mahal - No 1
Taj Mahal, Number One in the world. We proud. Afterall love always win and being No. 1.


Beautiful World Wonder Taj Mahal, Agra, India
The Taj Mahal is a mausoleum located in Agra, India. The Mughal Emperor Shah Jahan commissioned it as a mausoleum for his favourite wife, Mumtaz Mahal. Construction began... More» in 1632 and was completed in 1648. Some dispute surrounds the question of who designed the Taj.